Who loved Juno and cast a glance at the series United States of Tara (with Toni Collette as a mother with multiple identities) could only be welcomed back to the business of Diablo Cody, screenwriter currently in vogue. Entrusted to Karyn Kusama known for his ardent love of girl power (between Girlfight and Aeon Flux), Jennifer’s body was extremely envy, especially since the presence of an ornamental Megan Fox was enough to make it as offbeat as carnal. The disappointment is the height of expectation: this is a film that drags on and on, without taking any of his promises, but aimed at all costs – and in vain – the status of cult work.
So the story, seen through the eyes of his girlfriend less enjoyable to watch, a cheerleader named Jennifer who lost his head to every male she meets the road. Only here: Following a meeting with young rockers evil, that Jennifer owned by a terrible demon who transforms into bloodthirsty creatures. The film shows how Jennifer particular uses and abuses of its charms to lure boys into traps where they will be hard to get out alive. This is one of the major ideas of the script: transforming the traditional character of the high school hottie in a bloodthirsty monster, and thus delivering a pastiche of traditional teen movies 0 trend sentimental. On screen, this results in only a handful of killings as laborious as few, and assumes absolutely no gore their size.
The rest of the film, without great depth, is a confrontation between the frail Needy (Amanda Seyfried excellent) and tease Jennifer, do anything to spread evil around her and satisfy his appetites of all kinds. It then waits for a sublimation of certain characters and situations, which unfortunately never happens. For Jennifer’s body is a movie that lacks respect, or rather flesh. Who was thirsty body will recover easily shredded his ticket, which was hungry for plastic foxienne can also chew the bit, so look sexy film almost seems to be swept under the carpet. No bias is not apparent in this film really very disappointing, if not to describe the different ways the difficulties of the life of a young woman, in particular the appearance of rules fear – fear for the first time – fear boys. We expected much more, however, that this monument of insignificance differing only by a handful of dialogue referenced and amusing scenes. As for Megan Fox, who left the Transformers the benefit of the doubt, it confirms his status as a small bimbo no harshness, good power magazine covers but does not have the background needed to properly play the leading roles.